Self-Portrait is a tapestry of footage collected from surveillance cameras around the world over the last four years. Woven together as a poem, the film travels from moment to moment, beginning with the frozen storminess of winter, to the melt of spring, the lush heat of summer, and finally the decay and cooling of autumn: the dawn of winter. Self-Portrait shows a candid peek at humanity as it has chosen to document itself – all of these cameras set up for primarily capitalistic, "property"-protecting purposes, but yielding a beauty and a truth – an incidental portrait.
This film which is told from the perspective of a future era after the sixth mass extinction of species is conceived as an ironic overview of the history of the attempts to establish this kind of interspecific communication. Through a series of encounters with musicians and music theorists, the film poses the question whether birdsong only serves a biological purpose or whether it has any poetic qualities and/or fixed rules. However, the often absurd effort to discover the secret of the bird language is motivated not only by curiosity but also by an unsettling desire to dominate.
A real-life sheltered 40 year old virgin embarks on a cross-continental quest to rediscover the adulthood he’s missed out on. As his younger friends guide and challenge him far out of comfort zone to grow up, fears and past traumas arise.